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Going Up: Dispatch 3 from Extraordinary Cultures Tour

By | March 17, 2009

Dateline: Machu Picchu, Peru

An early morning Vista Train ride took us through the Urubamba Valley, sacred to the Incas. We saw glaciers atop the Apus, or mountain peaks thought to be alive with the power of deities and marveled at the grassy slopes, plants, mosses, cacti, orchids and flowers emerging from Pachamama, the mother earth.

Ramiro and Danielle lectured on the pre-Incan, Incan and contemporary cultural worlds of the region. As our narrow gauge train wound its way following the swift-moving whitewater Urubamba River, we saw glimpses high up the mountains of the Inca Road, the network of which connected regional cultures and an empire. At Aguas Caliente we bussed up to Machu Picchu.
Sun and clouds fought, as they usually do, in a place that seems to sit atop the world, floating in the midst of magnificent skyward thrusting peaks. Our travelers broke up into several groups with guides taking us through and explaining the archaeological remains. Was Machu Picchu a ritual center for the supreme Inca or a getaway “Club Med” for the elite?

The scale of the site is impressive, but more so the planning and labor that had to have assembled this city on a mountain top. Frequent rain fed terraced agricultural in order to provide for food. Stone houses and other quarters were thatched and provided shelter. Ritual centers expressed Incan cosmology. Our group took it all in.

This post is the third in a series. The first two posts can be found here and here.

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Dr. Richard Kurin

Dr. Richard Kurin serves as the Smithsonian Institution’s Under Secretary for History, Art, and Culture with responsibility for most of its museums including the National Museum of American History, the National Museum of the American Indian, the Smithsonian American Art Museum, the National Portrait Gallery, the Freer and Sackler Galleries, the Hirshhorn Museum and Sculpture Garden, the Cooper-Hewitt National Design Museum, the Anacostia Community Museum, the National Museum of African Art, the National Postal Museum, and others including the soon to be built National Museum of African American History and Culture. He also oversees research and outreach programs, including the Smithsonian’s Traveling Exhibition Service, The Smithsonian Associates, the Smithsonian Channel, and the Smithsonian Affiliates—a network of 168 museums across the U.S.

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