Posts Tagged ‘freer gallery’

The Peacock Room—More than they Bargained for

Wednesday, June 9th, 2010

Who said art history is boring? If you’re inclined to think that, read the story of the Peacock Room

This view of the Peacock Room shows some of the ornamentation added by Whistler, with his peacock mural in the background. Photo: Flickr user Laura Padgett

This view of the Peacock Room shows some of the ornamentation added by Whistler, with his peacock mural in the background. Photo: Flickr user Laura Padgett

In 1876, a wealthy English shipping magnate named Frederick R. Leyland hired an architect named Thomas Jekyll to redesign his dining room, where he wanted to present his large collection of Chinese porcelain. All was going well until Jekyll asked painter James McNeill Whistler, who had been engaged to decorate Leyland’s entrance hall, for advice on what color to paint the dining room’s shutters and doors.

Since Whistler’s painting Princesse du pays de la porcelaine — or The Princess from the Land of Porcelain — would be the room’s centerpiece, Jekyll wanted to make sure everything matched. Whistler had a couple of suggestions about the trim and other decorative work in the room, and offered to do the minor retouching required. Jekyll, who was happy to have the artist help out, agreed to Whistler’s recommendations and left the job site with the understanding that work was nearly complete.

Left to his own devices, Whistler gave his creativity free reign. He recovered the ceiling in imitation gold leaf painted over with peacock feathers. He then gilded the shelving designed to showcase Leyland’s Chinese porcelain collection and embellished the wooden shutters with four elaborately plumed peacocks. At the same time, he encouraged his client to stay away, saying that he wanted everything to be perfect upon Leyland’s return.

Here’s where the story gets even more interesting. While Leyland was dutifully staying away from his own house so the artist could finish his work in peace, Whistler entertained friends and hosted the press in his client’s dining room. Upon returning home, Leyland, who had not authorized the work that Whistler had done, or the after-parties, refused to pay the bill. After an angry dispute, Leyland paid about half the money. Whistler may have had the last laugh, though. He painted a humongous pair of peacocks fighting over gold coins opposite Princesse du pays de la porcelaine, a lasting reminder of the controversy. After completing the room in 1877, the artist never saw it again.

Despite all the drama, Leyland kept the room exactly as Whistler had left it, and displayed his porcelain collection as he had intended to until his death in 1892. Charles Lang Freer purchased the Peacock Room in 1904, having already bought Princesse du pays de la porcelaine. Freer had the Peacock room added on to his home in Detroit, where he used it to display his own porcelain collection. The room was moved to Smithsonian’s Freer Gallery of Art, where it stands today, in 1919.

What famous artist would you want to redecorate your home? Please share.

Did you know that Whistler attended the United States Military Academy in West Point, NY? You can learn about his time as a student there on this fall’s Art Along the Hudson tour, one of our most popular trips.

SI Research Notes: Asian Art at Freer and Sackler Galleries

Wednesday, February 4th, 2009
A wooden carving of the Buddhist deity White Avalokiteshvara is a fine example of the arts of the 14th century Malla dynasty in Nepal. Photo: Courtesy the Freer Gallery of Art and Arthur M. Sackler Gallery

A wooden carving of the Buddhist deity White Avalokiteshvara is a fine example of the arts of the 14th century Malla dynasty in Nepal. Photo: Courtesy the Freer Gallery of Art and Arthur M. Sackler Gallery

The Freer Gallery of Art opened its doors on the National Mall in Washington, D.C. in 1923 to display the Asian and American collections given to the nation by Charles Lang Freer (1854-1919). It was the Smithsonian Institution’s first art museum and houses an outstanding Asian art collection that has continued to grow. Arthur M. Sackler’s contribution of his collection led to the opening in 1987 of the Arthur M. Sackler Gallery adjacent to the Freer Gallery. Operated by the same staff, these two galleries together form the Smithsonian Institution’s National Museums of Asian Art.

During his lifetime, Freer acquired just a handful of objects from South and Southeast Asia. Through purchases and gifts from Sackler and other collectors, the collection has developed into a rich and expanding representation of Southeast and South Asian and Himalayan art. The staff works closely with museums and colleagues in the region and has established a training program for bronze conservation at the National Museum of Cambodia. (more…)