Kate Simpson is President of Academic Travel Abroad, where she began her career as a China Program Manager in 1998 after completing a degree in East Asian Studies from Yale and a post-graduate fellowship in Chinese literature. Kate loves to travel to hidden corners of the countries she loves most. Click here for more on Kate.
Egypt’s ancient wonders abound, but it is not until you stand within inches of the deeply carved cartouches of Ramses II in Karnak or the stunning turquoise of painted vulture wings on Hatshepsut’s Temple, or the intricate delicacy of King Tutankhamen’s jewelry, that the impossibility overwhelms you. How can such beauty have survived 2000, 3000, 4000 years?
Entering the imposing structure of Ramses III Temple, there is a series of chapels to the left. Little color remains, and the carvings seem simplified, unremarkable. It turns out, these chapels date to Alexander the Great’s time—circa 332 BCE. Modern, by Egyptian standards! Yet paling in comparison to the elaborate scenes of battle and power depicted on Ramses III’s own temple walls.
Deep in the Temple of Luxor (circa 1400 BCE), past the small area that once served as a chapel for Roman soldiers during the 3rd century CE, there is a shrine built by Alexander the Great, depicting the Greek king as a pharaoh. Here, you can stand between the outer wall built by Amenhotep III and the inner wall of the Greek shrine. Within a couple of feet of each other, the contrast is sharp: over a 1000 years pass from the time the Egyptian outer wall was carved to the time the Greeks erect their shrine. Yet, Alexander the Great’s craftsmen lose this contest: their work appears amateurish at best.
It’s not often that Alexander the Great comes across as lacking accomplishment. Yet ancient Egypt puts many more modern cultures to shame. Even the Romans, who seemed to lack the respect and interest Alexander showed Egyptian culture, appear boorish and uncultured in comparison. The Roman chapel within the Temple of Luxor is made of scavenged temple stones, betrayed by the upside down body parts and images carved on their surfaces.
Reflecting on all the perfection that bears tribute to Egypt’s royal ancestors, I can’t help but wonder what we have lost over time in sophistication, technique, and ambition. And I rejoice in the protective benefits of the sands of Egypt—without them, what treasures would have been lost to humankind!
For information on our educational journeys to Egypt, click here.