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India: Dispatch 13 from Extraordinary Cultures Tour

By | April 1, 2009
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Dateline: Agra, Part I

It’s always great to see the Taj Mahal—even if you’ve seen it a dozen times before. I saw it first in 1970, and it still takes my breath away. The Taj is a UNESCO World Heritage site, annually attracting millions of visitors; our tour takes us through the gardens into the mausoleum and onto the terrace overlooking the Yamuna River.

The Mughal Emperor Shah Jahan, who ruled much of northern India in the mid-17th century, had the Taj built as a memorial for his beloved wife Mumtaz, who died giving birth to her 14th child. The Mughals had enormous wealth and strongly supported a varied musical, culinary, artisanal, and religious culture still with us today. Shah Jahan used native materials and craftsmen, but also brought in those from Persia and Central Asia. He built an architectural wonder out of white Makran marble, with a bulbous dome and flowing ornamentation of inlaid precious stones. Well positioned with surrounding gardens to simulate paradise, it is remarkable for its proportion and for its exact symmetry—save for one feature. It was built by Shah Jahan to house only one grave at its center—that of Mumtaz. Shah Jahan was overthrown by his zealous and fanatical son Aurangzeb, held under house arrest, and later buried alongside his long departed wife. His added grave throws off the symmetry of the memorial!

The Taj has long been under threat of the deleterious effects of urban pollution, of opportunists prying out the inlaid stones, of visitors defacing the building and grounds, and of too many tourists wearing down the stone work. A number of steps have been taken over the decades to protect this world treasure—reducing pollution, allowing only electric powered vehicles near the site, and so on. Everyone who has visited the Taj Mahal and might visit it in the future will applaud such measures. We have too little beauty and too much ugliness in the world; we need to preserve what beauty there is, and encourage its ongoing creation.

This post is thirteenth in a series. To see the other posts, click here.

Click here to learn more about travel to India.

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Dr. Richard Kurin

Dr. Richard Kurin serves as the Smithsonian Institution’s Under Secretary for History, Art, and Culture with responsibility for most of its museums including the National Museum of American History, the National Museum of the American Indian, the Smithsonian American Art Museum, the National Portrait Gallery, the Freer and Sackler Galleries, the Hirshhorn Museum and Sculpture Garden, the Cooper-Hewitt National Design Museum, the Anacostia Community Museum, the National Museum of African Art, the National Postal Museum, and others including the soon to be built National Museum of African American History and Culture. He also oversees research and outreach programs, including the Smithsonian’s Traveling Exhibition Service, The Smithsonian Associates, the Smithsonian Channel, and the Smithsonian Affiliates—a network of 168 museums across the U.S.

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